In the interest of trying to loosen up, I went ahead and got a little digital point and shoot, that is just about good enough to put together a decent looking print. This will mark the second "loosening" of the system (hilariously, a Fuji 67 was the first attempt). But I've been feeling like I'm in a rut lately, so I wanted to just have a camera that I could carry with me at all times, and to think about making pictures with people in them.
Still trying to work out what I want to get out of using this camera. The first advantage is that I've been getting closer to things than I usually do with the large format, and, while I'm still not in love with inkjet printing, it is sort of interesting to shoot more instinctively and edit after the fact.
So, while I sort through how these images are going to work in with my other work, a selection of the digital work.
IMAGES
Los Angeles, 2009
Los Angeles, 2009
Miami, 2009
Miami, 2009
New York, 2009
New York, 2009
New York, 2009
New York, 2009
New York, 2009
New York, 2009
New York, 2009
New York, 2009
Contact Prints
The photographs of Los Angeles based photographer Andrew Ti. A less structured space to try edited scans of contact prints, and ways to try different groupings, projects. Email ast16 (at) columbia.edu.
Saturday, May 09, 2009
Tuesday, September 09, 2008
Streetview Article!
I should have done this months ago when it came out, but I wrote a version of the Street View article for Triple Canopy.
Street View Article
I'm really, really happy with how it turned out, and the presentation on the site is actually pretty amazing.
Street View Article
I'm really, really happy with how it turned out, and the presentation on the site is actually pretty amazing.
Thursday, January 17, 2008
Windows and Trees/Mountain of Ash
These pictures are from a group I've mentally labelled as Windows/Trees, even though that is probably a misnomer. The initial images from this group are a picture I took in LA, immediately after the wildfires in the Spring, and a subsequent picture taken in Long Island, of landscape and houses seen through a break in some trees. This went on to inform most of process this summer, which involved sneaking around in suburban parks which border immediately next to people's houses, and photographing through the woods. The effect is not exactly voyeuristic, though there are some elements of that. Rather, they become a bit more about alienating from the domesticity of suburban living, similar, I feel, to what I'm trying to say with my night photography. There are also images of both the discoveries within the park, where nature comes so close to humanity, and scans from the burned park. Arguably, the burning of the park is where humanity comes too close to nature.
IMAGES
Massapequa, 2007
Los Angeles, 2007
Massapequa, 2007
Los Angeles, 2007
Massapequa, 2007
Brooklyn, 2007
Brooklyn, 2007
Brooklyn, 2007
Massapequa, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Massapequa, 2007
Massapequa, 2007
Massapequa, 2007
Brooklyn, 2007
Massapequa, 2007
Massapequa, 2007
IMAGES
Massapequa, 2007
Los Angeles, 2007
Massapequa, 2007
Los Angeles, 2007
Massapequa, 2007
Brooklyn, 2007
Brooklyn, 2007
Brooklyn, 2007
Massapequa, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Massapequa, 2007
Massapequa, 2007
Massapequa, 2007
Brooklyn, 2007
Massapequa, 2007
Massapequa, 2007
Brooklyn Waterfront
So last spring I woke up crazily early on a Saturday morning, just after sunrise and walked down to Dumbo in the fog and early light, with my camera. I rarely photograph in actual New York City, I guess because the visual world of the urban environment isn't something I'm very interested in making pictures with. Perhaps it's the lack of trees.
Anyway, the pictures below are from that morning, in the muggy, Brooklyn air. I'm not sure what these pictures are for, or how to think about them with my other work, but they're something I've been thinking about, especially the angle of view looking down on things.
IMAGES
Brooklyn, 2007
Brooklyn, 2007
Brooklyn, 2007
Anyway, the pictures below are from that morning, in the muggy, Brooklyn air. I'm not sure what these pictures are for, or how to think about them with my other work, but they're something I've been thinking about, especially the angle of view looking down on things.
IMAGES
Brooklyn, 2007
Brooklyn, 2007
Brooklyn, 2007
Tuesday, October 16, 2007
More Google Street View Images
Just a couple google street view images, from Houston this time, that I had sitting around. I'm working on rewriting my original thoughts about this concept, so I thought I should walk around the virtual world some more. As I go about collecting (photographing) these images, it's notable that I'm making things that seem fairly generic with respect to geography and look. Whether this speaks to a tone in my own way of looking at the world, or points to a limitation of the form (same general type of location, etc). I guess the next step is to see if I can get someone else to participate in this with me.
IMAGES
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
IMAGES
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Houston, 2007
Friday, August 31, 2007
Mountain of Ash
These are some images I made earlier this year in Griffith Park in Los Angeles, right after the big fire that left parts of the park completely destroyed. I went in the mid afternoon with my friend Peter, and we snuck into the park, through the zone marked by the fire department (LAFD, I assume?) and hiked up the hill.
Except for the image with the iconic Griffith Park Observatory, these pictures don't have much to do with the park, or the fire itself, but rather use them as the setting for my own thoughts and fears. In retrospect, I think having just finished Cormac McCarthy's The Road and far from home, the apocalypse in general was on my mind that afternoon, even in the gorgeous LA spring. Speaking to my friends Stephen and Andrew last week, Stephen called this work catastrophilia, and I can't really argue with that.
The other idea to come out of these images for me was the idea of how urban and suburban parks create strange interfaces between natural and human worlds. In particular, the idea of using arrangements of trees as windows has been something I've been pursuing this summer, shooting in a park in Long Island. More on that to come, as I start making prints from those negatives.
Thanks to Peter (other Peter) for making these scans in a pinch.
IMAGES
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Except for the image with the iconic Griffith Park Observatory, these pictures don't have much to do with the park, or the fire itself, but rather use them as the setting for my own thoughts and fears. In retrospect, I think having just finished Cormac McCarthy's The Road and far from home, the apocalypse in general was on my mind that afternoon, even in the gorgeous LA spring. Speaking to my friends Stephen and Andrew last week, Stephen called this work catastrophilia, and I can't really argue with that.
The other idea to come out of these images for me was the idea of how urban and suburban parks create strange interfaces between natural and human worlds. In particular, the idea of using arrangements of trees as windows has been something I've been pursuing this summer, shooting in a park in Long Island. More on that to come, as I start making prints from those negatives.
Thanks to Peter (other Peter) for making these scans in a pinch.
IMAGES
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
Los Angeles, 2007
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